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Europe, Empire And Spectacle in Nineteenth-Century British Music (Music in Nineteenth Century Britain) (Music in Nineteenth Century Britain) (Music in Nineteenth Century Britain)

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Published by Ashgate Publishing .
Written in English

Subjects:

  • Composers & musicians,
  • Western music: periods & styles,
  • c 1800 to c 1900,
  • History and criticism,
  • Great Britain,
  • Music,
  • Music/Songbooks,
  • Social aspects,
  • History & Criticism - General,
  • United Kingdom, Great Britain,
  • Imperialism,
  • Genres & Styles - International,
  • 19th century,
  • History

Book details:

Edition Notes

ContributionsRachel Cowgill (Editor), Julian Rushton (Editor)
The Physical Object
FormatHardcover
Number of Pages299
ID Numbers
Open LibraryOL7991187M
ISBN 100754652084
ISBN 109780754652083

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This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. Europe, Empire And Spectacle in Nineteenth-Century British Music (Music in Nineteenth-Century Britain) [Cowgill, Rachel, Rushton, Julian] on *FREE* shipping on qualifying offers. Europe, Empire And Spectacle in Nineteenth-Century British Music (Music in Nineteenth-Century Britain)Cited by: 4. Get this from a library! Europe, empire, and spectacle in nineteenth-century British music. Presents musical connections between Britain and the continent of Europe, and Britain and its Empire. This book uses approaches and methods that empire, and spectacle in nineteenth-century British music\/span>\n \u00A0\u00A0\u00A0. Table of contents for Europe, empire, and spectacle in nineteenth-century British music / edited by Rachel Cowgill and Julian Rushton. Bibliographic record and links to related information available from the Library of Congress catalog.

Europe, empire, and spectacle in nineteenth-century British music. [Rachel Cowgill; Julian Rushton;] Presents musical connections between Britain and the continent of Europe, and Britain and its Empire. This book uses approaches and methods that empire, and spectacle in nineteenth-century British music\/span>\n \u00A0\u00A0\u00A0. This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the. Europe, Empire And Spectacle in Nineteenth-Century British Music (Music in Nineteenth Century Britain) (Music in Nineteenth Century Britain) (Music in Nineteenth Century Britain) 作者: Cowgill, Rachel (EDT)/ Rushton, Julian (EDT) 出版社: Ashgate Publishing 出版年: 页数: 定价: USD 装帧: Hardcover ISBN: Very interesting book by Jan Morris studying the British Empire at its height and its influence on the world. As he points out "the Royal Navy maintained the imperial power largely by sheer splendour - scrubbed pine of of their brass-studded decks, their impeccable white gun-covers, their gleaming bells and elaborate crests, and the huge white ensigns which, with a languid sort of arrogance /5.

  Thus Claire Mabilat writes about Sir Henry Bishop's depiction of the ‘Other’ in his theatre music in her own book, Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts (Ashgate, ) as well as in ‘The Orientalist Stage’ section of Music and Orientalism in the British Empire, s–s edited by Cited by: 3.   Author of The Music of Berlioz, Europe, empire, and spectacle in nineteenth-century British music, Mozart, The musical language of Berlioz, W.A. Mozart, Don Giovanni, The Cambridge companion to Elgar, Elgar studies, The New Grove Guide to Mozart and His Operas (New Grove Operas). My research focuses on music and musical culture in the United Kingdom from the mid-nineteenth century until the end of the First World War. I have recently completed a book on Britain’s operatic culture between and which examines repertory performed, company organisation, the challenges faced by the British opera composer, and social attitudes to opera; this will be published. Francis, Day & Hunter is a British music publishing company, one of the leading publishers of music hall songs and popular music in the late nineteenth and twentieth centuries. It was established in London in as W. & J. Francis and Day, later Francis Brothers & Day, becoming Francis, Day & Hunter in It became a subsidiary of EMI Publishing in Industry: Music publishing.